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Extra info for A companion to modern Chinese literature
The availability of diverse media increased the choices available to both writers and readers, while having a direct impact on literary forms and styles. At the same time, the rise of new institutions, such as the modern publishing house and the editorial offices of journals, created unprecedented opportunities for writers to interact and participate in the larger processes of literary production and circulation. Volland traces the role of print culture in the making of modern Chinese literature from the late Qing through the 1920s–1930s, the socialist period, and the postsocialist era.
Vol. III. The Poem. Leiden: Brill. Hamm, John Christopher. 2005. Paper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel. Honolulu: University of Hawaii Press. 29 Hanan, Patrick. 2004. Chinese Fiction of the Nineteenth and Early Twentieth Centuries: Essays by Patrick Hanan. New York: Columbia University Press. Hang, Krista Van Fleit. 2013. Literature the People Love: Reading Chinese Texts from the Early Maoist Period, 1949–1966. New York: Palgrave Macmillan. Hill, Michael Gibbs. 2012.
New York: Columbia University Press. Birch, Cyril. Ed. 1972. Anthology of Chinese Literature. 2 vols. New York: Grove Press. Braester, Yomi. 2003. Witness against History: Literature, Film and Public Discourse in Twentieth‐ Century China. Stanford, CA: Stanford University Press. Button, Peter. 2009. Configurations of the Real in Chinese Literary and Aesthetic Modernity. Leiden: Brill. Cai, Rong. 2004. The Subject in Crisis in Contemporary Chinese Literature. Honolulu: University of Hawaii Press.